because nothing changes
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A communist country resistant to change?
PLEASE GO ON!
1. Isn't one of the main tenets of "conservatism" that change happens slowly, and traditional institutions are maintained? Are conservatives actually communist?
2. China has modernized as rapidly as any country could. For many reasons, a centrally planned economy can modernize faster than a market oriented one. Once the economy's foundation has been laid, though, a transition should be made to maintain growth. North Korea (which actually had a higher per capita GDP than South Korea until the early 1970s), say, did not make that transition. China did.
Well, ok, we do have to look at overall GDP for market share of any good, but we also have to look at per capita income, because even if china's GDP is larger than say the United States, that doesn't change the fact that the disposable cash could be far less. A hypothetical country with a trillion people barely making ends meet would have a higher GDP than America, but would be unable to purchase any of our luxury goods, such as culture. I am not entirely sure this is the case with China, but their purchasing situation is considerably different than ours.
Very rarely and only in the aspect of Japanese games. No other japanese entertainment industry produces anything with US audiences in mind.
sure thing bbobb
http://en.wikipedia.org/wiki/The_Big_OQuote:
The series garnered positive fan response internationally that resulted in a second season co-produced by Cartoon Network, Sunrise, and Bandai Visual. Season two premiered on Japan's SUN-TV on January 2003, with the American premiere taking place seven months later in the Adult Swim lineup.[7][9]
Umm, the second season got picked up for funding because of the US market (funding given by the US company), but that show was not produced with the US market in mind.
so, the second season was made because of demand from the US and it had input from Americans, BUT it was not produced with the US market in mind?Quote:
The second season was scripted by Chiaki Konaka with input from the American producers.[