There is no contradiction; the distinction that you seem not to have noticed is that the true artist seeks to transform those eternal aspects of life that may be ordinary yet unnoticed, visible yet unexplored, vital yet forgotten, and so on, into a specific artifice, containing within it some mystical and transcendent power that may enlighten—or as some might say, “awaken”—and evoke new emotions in its audience.
In contrast, the pop artist (which in itself is essentially an oxymoron) aims to recreate that which is already known, or more specifically, the familiar, the comforting, the cliché, etc.; this is why hundred-year-old conventions of harmony and theme have been a part of popular music for several centuries now: musicians established long ago a theoretical command of how to recreate the abovementioned feelings, and frankly, most of humanity wants little more from music than something that will be soothing and reassuring, claming and comforting, pleasant and appealing (in the decorative sense), etc. However, true art, especially as it relates to metal, is anything but that: it finds beauty in the grotesque, significance in the mundane, and most importantly, does not shy away from, but seeks out reality, however harsh or “depressing” that reality may be.
If we weigh each of these albums on its individual merits, then yes, “Cold Lake” is by far the worst of the bunch (with “Slaughter of the Soul” following close behind and “Domination” only a bit further back), but to do so is to miss the grand point, that being: each band had fallen into some degree of musical and artistic descent on previous albums, and that descent ultimately culminated with the rock-bottom performances listed in my previous posts. That each album represents a differing degree of failure only suggests that certain bands fall further and harder than others. Besides, what’s truly important is that we recognize these failures and discard them as such without wasting much energy over their varying degrees of ineptitude; we should instead save that energy for discerning the differences between what’s merely good and what’s truly great (i.e., the music that is not only worth listening to, but also worthy of intense mental engagement).


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