So I watched this again last night.
Seems like every couple months, I get the urge to watch it. It's strange, because I don't think the film is outstanding in any particular area (besides being directed by Luc Besson), but it's very satisfying in an odd manner.
Probably my favorite thing about it is the visual style. Besson is one of my favorite directors, and he's in full command throughout. He makes the (perfectly) lackluster acting of Bruce Willis a great fit, Milla is still one of the most gorgeous women I've ever seen (if not the world's greatest actress), Ian Holm does a great job, and Gary Oldman does his half-serious, half-insane thing. Chris Tucker...well, it took me a few viewings to be able to swallow Ruby Rhod, but now he's a vital part of the whole picture. And Tiny Lister as the President? Cool. Damn, even Tricky has a bit part (and he gets blown to smithereens...heh). And the taxi-cab sequences are always amazing.
I know this film gets ragged on a lot, mostly for the admittedly hokey story, but it's a definite favorite of mine (but hey, I liked Hudson Hawk :sweat:) - for every silly Ruby Rhod "Bz! BZZZZZ!" moment there's something magnificent like the vocal performance of the Diva intermixed with Leeloo kicking some serious Mangalor ass to offset it.
I'll keep coming back to this one. Quirky and fantastic, with many a memorable moment.
