Exactly. The lens is so amazing at 70-200 (something I can use for sports and bigger concerts, as well as closer wildlife), and then with the 2x (I'm going to wait for the 2x III) I get a 140-400 that should be near identical to the 100-400. At print size, it is almost impossible to tell a difference anyways.
I'd rather not use one, but the 300, 500, and 600 primes are just way too expensive for me even to consider right now. I wish I could just get the 500 and 1.4x (supposedly one of the best tele combos ever), but that is well over 6 grand. For way less than half that, I can get an amazing 70-200 and add a 2x to get a pretty damn good 140-400. Again, it all comes down to printing. You can find flaws looking at 100%, but if it doesn't show up during printing, then who cares? It may drop from a 2.8 to 5.6, but that is what the 100-400 is at 400 anyways.


Reply With Quote







Bookmarks