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Thread: 2010 Award Season

  1. I want Jeff Bridges to win because he's awesome, and I want Kathryn Bigelow to win because she directed Near Dark.

    The rest doesn't matter. It's a popularity contest now. The best on that list, in my opinion, was Up, and half that film was meh.

    How does something like District 9 get a nomination for Best Adapted Screenplay? A reflection of the state of the industry, or something else?

    Ten Best Picture nominations but only five for Best Director? Makes no sense.

    Satoshi Kon: 1963-2010

  2. Quote Originally Posted by Dolemite View Post
    I'm not saying it wasn't a good movie, but come on.
    Moon was absolutely top 10 for me. I'd throw it up over a few of those, and I'd give Sam Rockwell a nod for actor for the best double performance since Dead Ringers. Especially over some of the whatever nods that are in there. It takes a lot to be able to carry a movie completely by yourself like that.

    Part of the reason this year is lame is because a lot of great films weren't able to get distribution. Hopefully this means next year will be better when these moves finally bleed into theaters.

    Also I really liked Socarrat for short film, but admittedly I haven't seen the nominees in this category and it's a who gives a fuck category.
    Last edited by Frogacuda; 02 Feb 2010 at 06:23 PM.

  3. I dunno- Moon was very solid but not amazing, IMO (the pacing had some problems). But I wouldn't have a problem with Sam Rockwell being up for Best Actor- he did a damn fine job.

    Dolemite, the Bad-Ass King of all Pimps and Hustlers
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  4. Moon wasn't on the Oscar nomination, because of Sony. It was Sony who decided against sending this out to the Oscar Committee.
    I can do all things through Christ, who strengthens me.

  5. Avatar was an ok, beautiful action flick. Thats it. There is no breakthrough acting, story, music in it to really rate it the best - but the tech side, fuck yeah, its SHOULD win in landslide, since that really what it go going for it. I'll still say, if not breakthrough 3D presentation, Avatar wouldnt get that much buzz. Thats what Hurt Locker and IB for. Sure, both can be jumbled into actiony category as well, but thee

  6. Waltz MUST win for IB - he was amazing. I am happy to see D9 on the list. And I still need to catch Moon.

  7. Quote Originally Posted by Advocate View Post
    Moon wasn't on the Oscar nomination, because of Sony. It was Sony who decided against sending this out to the Oscar Committee.
    Why would Sony do that? You'd think they'd want as much publicity as possible, no?

    Satoshi Kon: 1963-2010

  8. Quote Originally Posted by BioMechanic View Post
    Why would Sony do that? You'd think they'd want as much publicity as possible, no?
    http://www.slashfilm.com/2009/12/30/...s-displeasure/

    Quote Originally Posted by /Film; Dec. 30th, 2009
    We last reported on the grassroots campaign to earn Sam Rockwell an Oscar nomination for his… er… role in Moon back in October. “Sony Pictures Classics isn’t likely to put money into an awards campaign” said Peter at the time.

    Today, Duncan Jones has been all of a Twitter about the matter and it seems there’s one big problem in particular with Sony’s plans for the picture. Unfortunately, it seems that Sony won’t send out screener copies as, according to a Tweet by Jones, “they say it costs too much for our little film as they would need to be water-marked copies as our DVD isn’t out yet in the US.”

    A ludicrous argument, really, as the UK BD is region free and in plentiful supply, besides, they wouldn’t benefit from making watermarked copies where there’s already perfectly good non-watermarked copies out there to be pirated. Copyright thieves know no borders and will rob Jones, Sony and everybody else associated with the film from any source. It’s not like they’re waiting for an R1 NTSC copy.

    So, what is Duncan Jones planning to do himself?

    There’s still an ongoing petition, designed simply to get attention from the Academy. At the time of writing it stands at 2,151 signatures, with many of them being famous names. Matt Berry, who appears in the film, is perhaps not a fully surprising signatory, but how about, say, Jim Jarmusch or Jon Favreau?

    I’m not sure what good this petition might do, but for three seconds work surely it can’t hurt? If nothing else it could lead to more articles, like this one you’re reading now, or The Hollywood Reporter’s blog post “Twitter storm stirring over missing screeners for Duncan Jones’ Moon“.


    No indication that Sony would be paying for these screenings, of course. Surely they can afford that?

    Beyond recognition for Rockwell’s performance it really would seem that the film has a shout at a nomination for Clint Mansell’s incredible score. I’d like to see nominations for screenplay and director too but I know better than to expect such things from a big old, slow turtle like the Academy.

    The question now is, really, what can we do? Is there anything the film fans can do to support Moon, Duncan Jones and by extension, similarly impressive yet under supported films and directors?

    Well, signing that petition won’t hurt; telling people about the film won’t hurt either; better still, blogging, tweeting and Facebooking about Sony’s decision to not issue screeners would keep the issue in people’s minds and might just carry the campaign to critical mass. A real sharp solution, though, would be somehow contriving means by which members of the Academy could get to see the movie and that, unfortunately, would be the sort of thing Sony could do easily and folks like you and I would have no way to carry off.

    Here are some suggested solutions for Sony:

    • Non watermarked copies of the disc. Some UK BD discs would be a good start.
    • A password protected streaming version of the film, online only for a limited period of time.
    • Academy screenings that are properly promoted and easily accessible.
    • Sharing the details of where Mansell’s soundtrack can already be legally streamed. Here in the UK I can listen to the whole thing, for free and with all due royalties paid, via Spotify. Putting the album on a MySpace page that can be listened to globally isn’t a bad idea either.

    I think the resonances of a success here would be good for low-budget and independent film, genre film and smart sci-fi in particular. Can’t you see the headlines now? Of course, by success I don’t even mean a nomination for Rockwell or Mansell, but the wide availability of the film to members of the Academy. If they then decide that, actually, they’d rather nominate some other actor, some other soundtrack, then I can’t see Jones, or even fans of Moon like myself, would have any complaints. A fair shot on goal is all that can be reasonably asked for.
    And, with a performance and a soundtrack like these, a fair shot on goal is probably all that is needed.
    I can do all things through Christ, who strengthens me.

  9. Moon-tastic

  10. The biggest shock to me is the snubbing of Ponyo.

    Quote Originally Posted by Gohron View Post
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