My ex loved it and she was a beaner. Scarlett is some independent martyr woman whom empowers cunty skanks. Or, that's how I saw it.
"Question the world man... I know the meaning of everything right now... it's like I can touch god." - bbobb the ggreatt
I get the female empowerment and Scarlett is indeed a badass, but the "narrator" makes it sound like the slaves were content with their situation and even had love for their masters. That made me throw up a little just to type.
Oh yeah it's total Antebellum bullshit. And to be fair, Mexicans are just as racist as white trash.
"Question the world man... I know the meaning of everything right now... it's like I can touch god." - bbobb the ggreatt
They should have had her shown some modicum of sympathy for the Union at one point. Without that, it's hard for non-White, non-Southern, non-females to relate to her or feel bad when she loses everything. The salad days are over; sorry for your bad luck.
"Question the world man... I know the meaning of everything right now... it's like I can touch god." - bbobb the ggreatt
A modern viewer is likely going to be at least a little uncomfortable with its, uh, nostalgia. Nothing egregious, though. There have certainly been bigger offenders in mainstream film, like Birth of a Nation or a movie called Triumph of the Will, a buried, nigh-forgotten nugget of esoterica that survives only in the most remote pockets of the cinema-obsessed.
Last edited by A Robot Bit Me; 30 Nov 2013 at 04:46 PM.
Both those movies I have watched twice in separate film classes. Morals aside, they were both well made films.
"Question the world man... I know the meaning of everything right now... it's like I can touch god." - bbobb the ggreatt
You did say cinema-obsessed.
"Question the world man... I know the meaning of everything right now... it's like I can touch god." - bbobb the ggreatt
Breakfast at Tiffany's is pretty offensive as well, but still an excellent movie.
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